For the last two weeks I’ve been doing Flamenco. As a dance style it has always been one of my favourites. It’s fiery, passionate, rhythmical, powerful, sexy, and as much about the music as the steps and movements. The last time I did Spanish dancing was at Art School thirty years ago and I missed it a lot when I matriculated and ended up in a classical ballet company. Don’t get me wrong, I love my ballet, but there’s something about Flamenco that stirs that ancient part of man that feels and desires and recognises earthy rhythms!
Now, it’s extremely difficult to do Flamenco if you aren’t musical. The time signatures, the syncopations, the pauses, silent beats, co-ordination of body, skirt, and castanets has to be flawless in order to do Flamenco well. Fortunately, I was born musical; I hear rhythms very easily. I started my dancing career as a tapper at the age of 5 so it’s part of me. It’s different to the intricacies of classical music; the rhythms and phrasing in Flamenco can get pretty complicated. But once I allow myself to become engrossed with the sounds and beats and nuances then it takes over my movements and I am led by it rather than trying to manipulate the music to follow me.
It is the same with writing. Finding the rhythm of my writing, the ebb and flow, the cadence of the story, is vital to the creative process and the development of the story, especially in the beginning. When I allow the story (music) to take control of me then the words (steps) become easy and the story tells itself.
When you watch a professional Flamenco dancer, she doesn’t count her music 1-2-3-4, but rather the music weaves around her and she becomes one with it and in so doing tells her story effortlessly, drawing her audience in, creating emotion and passion and excitement with every step, every twirl of her skirt, the undulation of her hands, arms, and body, the beats of her castanets, the emotion on her face.
As a writer I have to use my words, the core energy of the story – its passions, colours, visualisations, characters, environment – to captivate the reader and draw him in. And to do so effectively I have to have the perfect rhythm, a rhythm that doesn’t break or stop or become annoying or disturbing because of an unnatural style which the reader will sense instinctively.
Just as a dancer has to create movements that are effortless and as close to perfection as possible so as to hypnotise her audience, so, too, does a writer.
Ebb and flow, rhythmic perfection, minimising mistakes in language, grammar, punctuation, and style, is how the writer creates the performance his readers will applaud!
As a more experienced writer, after three published novels and a short story, I still have to work hard every day to perfect my style and rhythm. While I edit I ‘listen’ to my story, sometimes reading it out loud, to hear if there is a break, something that will distract the reader and pull him out of his trance. The goal, dear Writer, is to keep the reader entranced from page one. Do nothing to disturb the rhythm of your story or you will lose him to discordance.
What are your thoughts on writing style and rhythm? I love reading your thoughts. Please share!
Last image courtesy of Billy Alexander