More great writing advice. Simple and easy to remember. I agree with all the points. What say you, dear Writer? Are there areas in your writing that need tidying up and analyzing? I have learned over the years how to tighten up my writing and make it sound less like writing and more like storytelling. Is there a difference? I think so. Do you?
Originally posted on Indie Hero:
Elmore Leonard: 10 Rules
Among all the lists of writing rules and advice, this one ranks high, in my opinion. Simple, yet so important.
- Never open a book with weather.
- Avoid prologues.
- Never use a verb other than “said” to carry dialogue.
- Never use an adverb to modify the verb “said”…he admonished gravely.
- Keep your exclamation points under control. You are allowed no more than two or three per 100,000 words of prose.
- Never use the words “suddenly” or “all hell broke loose.”
- Use regional dialect, patois, sparingly.
- Avoid detailed descriptions of characters.
- Don’t go into great detail describing places and things.
- Try to leave out the part that readers tend to skip.
My most important rule is one that sums up the 10.
If it sounds like writing, I rewrite it.
* Excerpted from the New York Times article, “Easy on the Adverbs, Exclamation Points and Especially Hooptedoodle”
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Wonderful words from the incomparable Maya Angelou! Let’s celebrate the life of this phenomenal writer and artist!
Originally posted on The Daily Post:
Words mean more than what is set down on paper. It takes the human voice to infuse them with deeper meaning.
Find a beautiful piece of art. If you fall in love with Van Gogh or Matisse or John Oliver Killens, or if you fall love with the music of Coltrane, the music of Aretha Franklin, or the music of Chopin — find some beautiful art and admire it, and realize that it was created by human beings just like you, no more human, no less.
There is no greater agony than bearing an untold story inside you.
The idea is to write it so that people hear it and it slides through the brain and goes straight to the heart.
When I am writing, I am trying to find out who I am, who we are, what we’re capable of, how…
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Another fascinating blog by one of my favourite bloggers! What is your take on whether social media sells books or not? With all of us trying so hard to get seen it becomes a hugely debatable subject. What are your opinions?
Originally posted on Kristen Lamb's Blog:
One of my AWESOME on-line pals posted something troublesome on my Facebook page. Apparently there is a recent article in a major writing magazine that declares social media does not sell books and, in a nutshell, isn’t worth the effort.I’ll warn you guys ahead of time that I went hunting for the article—at the last remaining Barnes & Noble within a 25 mile radius of my home—and couldn’t find said article (and have asked Kim to get me the specific issue). But, since this type of commentary is prevalent enough in the blogosphere, I feel I can address the overall thesis accurately enough.
Social Media Was NEVER About Selling Books Directly—Who KNEW?
I’ve been saying this for about ten years, because the idea of using social circles for sales is NOT new…
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This is so inspirational – as I try to be to everyone who reads my blog – so I thought I’s share something different with you all. Enjoy! They are incredibly beautiful and breathtaking!
Originally posted on TwistedSifter:
The winners for the Open, Youth and National Award competitions of the 2014 Sony World Photography Awards were announced today by the World Photography Organisation (WPO).
Selected from over 70,000 entries from across the world, all three competitions were judged on a single shot and prizes ranged from the latest Sony digital imaging equipment to trips to London to attend the Sony World Photography Awards gala ceremony on 30 April 2014. The ten Open winners will also compete for a $5,000 (USD) prize and the Overall Open Photographer of the Year title.
139,554 images were entered in total to the 2014 Sony World Photography Awards: 69,114 Professional entries (winners yet to be announced); 65,512 Open entries and 4,928 Youth entries images. Entries to the National Awards were selected from the Open competition.
Professional category winners and the coveted L’Iris D’Or/ Sony World Photography Awards Photographer of the Year title will…
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For the last two weeks I’ve been doing Flamenco. As a dance style it has always been one of my favourites. It’s fiery, passionate, rhythmical, powerful, sexy, and as much about the music as the steps and movements. The last time I did Spanish dancing was at Art School thirty years ago and I missed it a lot when I matriculated and ended up in a classical ballet company. Don’t get me wrong, I love my ballet, but there’s something about Flamenco that stirs that ancient part of man that feels and desires and recognises earthy rhythms!
Now, it’s extremely difficult to do Flamenco if you aren’t musical. The time signatures, the syncopations, the pauses, silent beats, co-ordination of body, skirt, and castanets has to be flawless in order to do Flamenco well. Fortunately, I was born musical; I hear rhythms very easily. I started my dancing career as a tapper at the age of 5 so it’s part of me. It’s different to the intricacies of classical music; the rhythms and phrasing in Flamenco can get pretty complicated. But once I allow myself to become engrossed with the sounds and beats and nuances then it takes over my movements and I am led by it rather than trying to manipulate the music to follow me.
It is the same with writing. Finding the rhythm of my writing, the ebb and flow, the cadence of the story, is vital to the creative process and the development of the story, especially in the beginning. When I allow the story (music) to take control of me then the words (steps) become easy and the story tells itself.
When you watch a professional Flamenco dancer, she doesn’t count her music 1-2-3-4, but rather the music weaves around her and she becomes one with it and in so doing tells her story effortlessly, drawing her audience in, creating emotion and passion and excitement with every step, every twirl of her skirt, the undulation of her hands, arms, and body, the beats of her castanets, the emotion on her face.
As a writer I have to use my words, the core energy of the story – its passions, colours, visualisations, characters, environment – to captivate the reader and draw him in. And to do so effectively I have to have the perfect rhythm, a rhythm that doesn’t break or stop or become annoying or disturbing because of an unnatural style which the reader will sense instinctively.
Just as a dancer has to create movements that are effortless and as close to perfection as possible so as to hypnotise her audience, so, too, does a writer.
Ebb and flow, rhythmic perfection, minimising mistakes in language, grammar, punctuation, and style, is how the writer creates the performance his readers will applaud!
As a more experienced writer, after three published novels and a short story, I still have to work hard every day to perfect my style and rhythm. While I edit I ‘listen’ to my story, sometimes reading it out loud, to hear if there is a break, something that will distract the reader and pull him out of his trance. The goal, dear Writer, is to keep the reader entranced from page one. Do nothing to disturb the rhythm of your story or you will lose him to discordance.
What are your thoughts on writing style and rhythm? I love reading your thoughts. Please share!
Last image courtesy of Billy Alexander
Last week I started reading my first draft of The Sword Bearer’s Ascension: Book 4 after months of creation without looking back to do any rewrites or edits. I took the advice of seasoned authors and wrote with the single-minded goal to finish the story and not check back on what I’d written (as I’d done with my other works) until it was time to do a rewrite. And what I discovered took my breath away!
I’m a Pantster. I do not outline or have a storyboard with cards and post-its all over my wall. I have one notebook which I use to remind myself of particular details I need to include in the story relating to characters or descriptions or vital plot twists that will make the story better and more exciting. Those thoughts come to me when I’m not writing but doing other things completely unrelated to the craft like brushing my teeth, washing dishes, watching TV, or when I’m just about to fall asleep – the latter being the best time to come up with great ideas. When I sit at my computer I allow the story to tell itself without any interference from my perfectionist brain. I do not have a muse (that I know of), but I do believe that my stories come from a place I cannot describe, a place where the magic happens – that source you cannot explain to someone who has never had the privilege of creating magic with words.
Whenever I write and allow this inexplicable process to take over, I am always left dumbfounded by what comes out of me. So, when I began reading from the beginning, I was amazed with the incredible detail and power and beauty of the story. “Did I write that?” I frequently asked myself as I tightened up my style, got rid of extraneous words and redundancies, and checked spelling, grammar, and punctuation. I have been drawn into the story anew; I experience the turmoil and chaos of the battle scenes, the love stories, the grief and joy of the characters I fell in love with – the characters that are so much a part of me that to say goodbye to them is a special kind agony reserved only for storytellers, I believe.
Rewriting is hard work; it requires an unemotional approach because it is meant to remove the detritus that accumulates, the bad habits that have crept into my writing I’m still trying to get rid of, and the stuff I know my readers won’t be interested in. Sometimes its a brutal process, especially when you have to get rid of entire scenes or delete a sub-character you really love. But it is necessary in order to create a product as close to perfect as possible. (You do know that no work is ever perfect, right? That would remove the soul of any story.) Rewriting and editing polishes up the frenzied creating that went before, that first ‘pen to paper’ moment when the fire in your belly and brain is urging you to create just like an addict’s urge to satisfy his cravings. The latter is the most exciting part of writing – for me, anyway. I have no inhibitions, I do not concern myself with perfect spelling, grammar, punctuation (my typing skills are not fantastic as it is), and I do not get in the way of whatever/whoever is working through me. And that is when the magic happens!!
My readers are going to be blown away by the final book, but before they get their hands on it, it’s my responsibility to make it a smooth experience for them. It is my duty to make sure nothing creates a bump as they lose themselves in the story. My goal is to take them in so deep, to hypnotise them so completely, that when they are rudely pulled back into reality by the demands of normal life, they cannot remember the passing of time. All they do remember are the emotions of getting lost in a story so completely that time stood still for a little while.
Don’t you want power like that? I do. I have never received a greater compliment than when one of my readers tells me they couldn’t put my book down until they finished it – all 700 pages!
Rewriting is not for sissies, it isn’t for those who are only interested in the emotional aspect and who do not care enough about the quality of their craft. I have posted on this before: Balance between passion and knowledge is vital. It takes experience and patience to rewrite in a way that keeps the passion/emotion/magic in the story alive and then compliments it with great grammar, punctuation, and style. If we can learn to find the balance then we can be better storytellers. I make sure I learn something new ever day to improve my craft. I encourage you to do the same.
I love reading your thoughts! Do you agree with having balance between passion (that first frenzied, magical draft) and knowledge (the more emotionally removed process of rewriting and editing)?
A great thought-provoking blog from Kristen Lamb! Sorry I’ve been scarce, but I needed a good break and time to reach the end of Book 4 before the end of 2013! I promise to return soon. In the meantime, have a fantastic New Year’s day, and prepare for an awesome adventure ahead! 2014 is going to be a fantastic year!
Originally posted on Kristen Lamb's Blog:
When I began writing I was SO SURE agents would be fighting over my manuscript. Yeah. But after almost thirteen years in the industry, a lot of bloody noses, and even more lessons in humility, I hope that these tips will help you. Self-publishing is AWESOME, and it’s a better fit for certain personalities and even content (um, social media?), but we must be educated before we publish.
Mistake #1 Publishing Before We Are Ready
The problem with the ease of self-publishing is that it is, well, too easy. When we are new, frankly, most of us are too dumb to know what we don’t know. Just because we made As in English, does not automatically qualify us to write a work spanning 60,000-100,000 words. I cannot count how many writers I’ve met who refuse to read fiction, refuse to read craft books, and who only go to pitch agents…
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